When a TV Station is in dire need of ratings, two men are
sent to the mysterious island where they discover a guardian King known as
Kong. Meanwhile, Godzilla escapes from
his icy prison to begin his reign of terror once again. Two Kings of Kaiju meet for the first time
with the entirety of Japan caught in the middle of their showdown. But only one of these Monsters can truly be
crowned “King.”
When King Kong vs. Godzilla arrived in 1962, it had been
29 years since Kong’s first appearance and 8 since Godzilla’s.
The arrival of these two on the big screen
revolutionized and changed the way films were made forever when it came to
visual effects work.
Bringing them
together for one titanic showdown is a bit of a no brainer and one of the first
instances of two franchises crossing over for such an event.
And while the titular brawl does deliver,
this is still an early Showa Era Godzilla film, chalk full of all the qualities
that make that era tough to sit through but sometimes fun to laugh at.
The main story centers around a TV Executives demand for
higher ratings which leads to him sending two of his men to Faro Island (this
films stand in for the more traditional Skull Island) where Kong is
discovered.
Meanwhile Godzilla emerges
from the iceberg he was trapped in at the conclusion of Godzilla Raids Again,
keeping quite the surprising continuity between films.
The fact that this story gets started because
a high strung Exec needs a major win in the ratings to appease his bosses is
one of the more out there and bonkers explanations for getting two giants to go
at it.
In this regard though, said Exec,
Mr. Tako, is one of the more entertaining human characters.
He basically becomes King Kong’s biggest fan
and will risk his own life to see his ratings juggernaut in action.
His hijinks certainly help him stand out from
his bland and barely memorable co-stars (though it is nice to see Godzilla
veteran Akihiro Hirata return, this time as Dr. Shigezawa, so Serazawa without
the eyepatch).
I also have to admit that I was surprised to see KvG
provide nods to the theatrical history of both monsters til this point in their
careers.
Granted that list is much
shorter with Godzilla but seeing him do his mass destruction thing while also
being confronted by massive electrical fields is always welcome.
Kong’s homages are more present though from
finding him on an island to fighting a creature on said island to even capturing
a cute girl and climbing a tall building (even if the Diet Building isnt anything
close to the Empire State Building).
It
is a bit cringy to see Japanese Black Face on display during the Faro Island
sequences and not one of the films qualities that stands the test of time.
Still if this movie acts as your first intro
to King Kong, don’t worry about not having seen the legendary 1933 original
cause his story basically plays out the same here.
So how about the main event?
Well like most Godzilla Showa Era movies, we
get to it…eventually.
Before we do
though, we spend most of this almost 100min runtime with Mr. Tako and a bunch
of characters who blend together and have subplots that go nowhere.
It’s a slough to listen to their endless
babbling and I was screaming for the movie to get to the fight already.
There is some action sprinkled in before hand
like Godzilla terrorizing a military base after awakening and King Kong
fighting a giant Squid, which is a mix of puppet work and, believe it or not, a
real life Squid, I kid you not. But yes, the title match, it’s great.
The actual Kong vs Godzilla fight is pretty
good with both playing to their strengths and even getting a little too
overconfident at times.
There’s also a
mix of suit and model work with a little bit of unexpected stop motion thrown
in.
Granted it may not look as high def
or grandiose as 2021’s Godzilla vs. Kong.
But even that didn’t have an iconic scene of Godzilla and King Kong
tearing down Atami Castle.
If you can stand to bear with a ton of Human storylines
that make you wonder if you’ll ever see these two Kings square off, then King
Kong vs. Godzilla is a solid Showa Era flick.
The action is great, the set pieces still play to the still fresh
strengths of the era and both Kong and Godzilla bring their seprerate but
impressive talents to play in the same sandbox.
The human stories drag like crazy and some aspects of the film haven’t
aged well at all.
But still as one of
Godzilla’s first Kaiju showdowns, it sets a pretty high bar for other Showa
films to follow, fitting since this is a movie catering to two of cinema’s
greatest Kings.
7/10
The question now is, will Godzilla and Kongs long awaited
US reunion reach the same amazing heights as their last encounter in 2021?
Find out tomorrow with a special Anime Corner
Review of
Godzilla X Kong: The New Empire right here at the Gundam Anime
Corner.
A very good review of a classic here.
ReplyDeleteOne detail I'd share is this is the film that propelled Godzilla to his legendary status as the titular giant movie monster, actually replacing Kong in that role. It was after King Kong vs Godzilla, that his popularity in the world grew actually. Leading to what we'd see with many more Showa films.
While I get wanting to get to the monster action quickly, part of that is due to Honda's direction. He wanted like the first film to have a message and focus to this movie. Hence the focus on the rampant commercialism in Japan during this time, represented by Mr. Tako and his insane idea to get a giant monster to promote a product. Ichirō Arishima who played him, was famed for staring in Japanese salaryman comedies. Hence why he's pretty energetic and great in the film. So, Honda spent time on that and the characters though I agree they're hardly exciting.
One small nitpick as well, technically, it's an octopus in the film which Kong fights, notable for being a real one that they had to use tricks to get it (and several others reportedly) to perform. And well since it was the 1960s, when they were done Eiji Tsuburaya took the octopus/es...and well ate them, ouch LOL.
Still, the movie is bright and colorful (being the first color Godzilla film too) and even while the Japanese version has its flaws, I'd rather watch it then the American version. Which learns all the wrong lessons of the American version of Gojira (Godzilla King of the Monsters) and just inserts the most BORING scenes.
Excellent review bud and look forward to your thoughts on what seems to be Legendry's decent into FULLY SHOWA, you never go full Showa!