It’s been two long years since the announcement but the
wait is over: The Ghost in the Shell has finally dropped. While It has been a couple years long wait for
most, for day one fans of the original Manga, it’s a dream come true to see Shirow
Masamune’s true artistic vision brought to life. It’ll definitely be a bit of a jarring change
for viewers who have only experience the adventures of Motoko Kusinagi in her
long library of Anime centric adventures dating back to 1995. So to celebrate the return of Section 9 to
the Anime scene, Top 5 Wednesday is looking back at the theatrical outings of
the lovely Major and her crew of stalwart, trigger happy mercs with the Top 5
Ghost in the Shell Movies. And yes, I
will be looking at the first couple of episodes of The Ghost in the Shell when
First Impression Fridays returns in August after Otakon. Trust me, as a long time GitS fan I’m never
missing the chance to cover my second favorite Anime franchise after Gundam.
This is it, the bottom of the barrel (with SAC_2045 as a
sheet over it). I was so excited for
this adaptation, I didn’t even initially mind the controversial casting of
Scarlet Johansson as The Major. And then
the movie came out. It took away all of
the soul and hard hitting scifi questions of the source material, replacing it
with a boring cyberpunk action thriller that thought including famous images
and scenes from the franchise meant it understood Ghost in the Shell. And don’t get me started on the true revelations
of The Major, honestly if I didn’t have to review the movie, Id’ve just left the
theater then
and there, such a disappointment.
Considering SAC is one of the franchises main faces, I’m
surprised we haven’t gotten more theatrical adventures set in this sub
universe. While the time jump and deeply
changed character dynamics amongst the cast are top notch, Solid State Society
suffers from feeling like an outline for a potential third season crunched and stretched
into a two hour feature. It also tries
to adapt other storylines like The Puppeteer into the mix but never really
succeeds where the TV Series, especially 2nd Gig, excelled.
#3-Ghost in the Shell: The New Movie
Probably the biggest hurdle behind The New Movie is
needing to be familiar with the preceeding Ghost in the Shell: Arise, to which this
is both a sequel and concluding chapter.
That in mind, this is still a cool and sharp looking scifi thriller
loaded to the brim with action and suspenseful tale that completes the origin
story of The Major and the founding of Section 9. Even if the story does get confusing, there’s
an undeniable energy to seeing Section 9 as an effective combat team in battle
(something I think SAC didn’t do enough of, leaving most of the action to
Motoko, Batou and Togusa).
I know this one doesn’t have a lot of love in the fanbase
and I do understand why. Innocence is
heavy on the existential questions and loaded with quotes from books and philosophers
that I’m sure Mamoru Oshii thought sounded cool to say. That said, I freaking love this movie. The animation, the music, the heavier dose of
action, hell even listening to the cyberlife pholosphical debates I find
intriguing. Innocence also holds a
special place in my heart as one of the first Anime films I ever saw in theaters
and I wanted to watch it again as soon as it ended.
Let’s face it. SAC. Arise.
Even this new TV series. Many try
but none top the original. Mamoru Oshii’s
crowning achievement in cinematic animated storytelling is still a beloved
classic over thirty years later and with good reason. The story is fascinating, the characters are
iconic. There’s not a lot of action but
what’s there is very well done. And it
asks all the right questions about man and machine coming together in an uncertain
new age with understandable nervousness and wide eyed curiosity. It’s no wonder Ghost in the Shell hasn’t just
influenced much of the Anime Cyberpunk scene but the rest of the world as well
(The Matrix anybody). That vast and
infinite net all started here and it’s still an amazing title to revisit in
2026 as it was in 1995.






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