In the depths of Japan’s seas, something stirs, something
unlike anything humanity has ever seen before.
Some have foreseen its arrival.
Most cannot fathom the awesome destruction it is about to bring to
Japan. It is a force of nature; an
unstoppable storm; a tower of devastation and death…and it’s name will be
forever etched into history. If anyone
can survive its onslaught, they will remember the name of the creature that is
the God incarnate…Godzilla.
Gojira might not have been the first real Kaiju film in
history, I’d argue King Kong predates it by almost two decades.
But there is no other film like Gojira
itself.
Sure it jumpstarted one of the
most successful film franchises in history and given us arguably the greatest
giant monster ever conceived.
At it’s
heart though, Gojira is a powerful, cautionary tale about the future and past
events that have led to catastrophe.
This is far before the days of Godzilla duking it out with King
Ghidorah, Mothra or Rodan.
And honestly,
it’s the pure focus on Godzilla as the unstoppable force that makes this not
just a good beginning for his franchise, but also the king of it and it has yet
to be overthrown.
(Also for simplicities sake, I’ll be calling the big guy
by his more well known title and just using “Gojira” when mentioning the films
official title, just to be clear)
Coming out just under a decade after the end of World War
II, the metaphor Godzilla represents is pretty obvious.
He is the walking atom bomb, the demonization
of two weapons that wiped out two Japanese cities before the end of the
war.
The movie doesn’t even try to
present this in a fictionalized Japan where WWII never happened.
No the residents of Japan are still in
recovery from the atomic nightmare and to see Godzilla reigning down atomic
fire upon several cities is every bit the nightmare reborn.
Indeed, the central set piece of Gojira is
the destruction of Tokyo and it is brutal, unrelenting and very well done.
People fleeing in terror, some even
tragically accepting their inevitable fates, while the city burns around them,
this is pretty deep and intense stuff to look at.
Props defintiley got to director Ishiro Honda
for staging such a tragic yet epic scene and not being afraid to show just how
bad things can get when a giant monster waltzes through your city with atomic
power to spare.
While the story and character dialogue are all fine and
good (except maybe for the romantic subplot that was kind of annoying more than
impactful), the true power of Gojira comes from its game changing Monster and
miniature effects.
The hand puppet for
Godzilla used for close ups might look a little silly but the actual monster
suit is every bit as legendary as the big guy himself has become.
The extensive use of model sets, houses,
fields and tons and tons of tanks and planes to simulate such a momentous event
is staggering and Honda damn near perfects the craft in this movie.
All of the special effects are helped by an
awesome musical score by Akira Ifukube.
Not only does he provide the Godzilla theme song for the first time, but
also numerous other tracks ranging from inspirational excitement to the build
up to doom and gloom and finally the somber sounds of the fallout from
Godzilla’s attacks.
Godzilla movies can be fun and even at their hokiest,
most of them are.
Gojira may be a
champion in the realm of giant monster effects but its hardly a film id call
fun.
That’s not a bad thing, mind
you.
It actually highlights just how
well this movie still stands almost 70 years after it first appeared on
Japanese screens.
There’s a reason this
film is still considered the best of the entire Godzilla franchise.
Sure, he doesn’t fight anyone like he’d come
to do.
Instead, Godzilla is the enemy
and the very real nightmare that no one wants to experience in real life.
Gojira is chilling, haunting and insightful
as much as it is thrilling, awe inspiring and most importantly, history
unfolding on the screen.
It proved that
as terrifying as he was, there was no doubt who the King was throughout.
And as the old saying goes, “Hail to the King
baby.”
10/10
BUT that doesn’t mean we’re gonna stop here.
Nope, there’s a whole month of Godzilla
madness coming your way this month.
Next
week, we’ll see Godzilla take on one of his oldest frenemies in
Mothra vs.
Godzilla. But first, we’re gonna
take a look at the most recent appearance of the Big G with a special three
day, three part review of
Godzilla: Singular Point, starting Wednesday
right here at the Gundam Anime Corner.
Looking forward to all the Godzilla stuff coming to the blog soon. Loved this great review of Gojira, while King Kong was the first real giant monster movie and one of the influences to this film, Gojira is the first truly great giant monster film, or just a great film.
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