Tokyo, 2002 AD.
Three years after the Babylon Project Disaster, Captains Gotoh and
Shinobu are drawn into a mystery which could have devastating reprucutions for
Tokyo. A renowned military strategist
returns seemingly from the dead to begin a secret, invisible war across the
city with no clear enemy or target the military can prepare against. As martial law and paranoia grip the city,
Gotoh seeks to reunite his scattered former unit to solve the case. Shinobu, meanwhile, must confront her past
and a love that almost cost her career.
The fate of Tokyo is once again in the hands of Special Vehicles Section
2.
Talk about a doing a complete 180. Patlabor 2 is about as different from
Patlabor 1 as you could possibly make it.
The levity is almost totally gone, as is most of the original cast for
most of the film; the mecha battles are much fewer in number; animations
different; scores different; story is way more edge of your seat…and it’s not
such a bad change of pace at all.
I said that Patlabor 1 was a very Un-Oshii film, being
more of an action mystery than a philosophical Anime with action set
pieces. Patlabor 2 is again the
opposite, it’s text book Oshii. From the
minutes upon minutes long discussions about cases that lead to questions about
life and society; to the long, slow music accompanying montages of spots around
the city. This is a much slower film
than it’s predecessor no question. I do
think that might turn off potential viewers who don’t know much about Patlabor
or Mamoru Oshii films.
There also the added bit of Noa, Asuma and their team
only popping up sparcely before the films finale. Again, this isn’t a bad thing as they
wouldn’t really have much to do until the end.
This is Goto and Shinobu’s story, well more the latter than the former
at times but still. And they are a very
solid detective/leadership team. Goto’s
got the knack for piecing things together and being cool in the middle of a
crisis and Shinobu’s got some key background connections to the films
antagonist. I don’t think im looking too
deep into things when I say that Goto tries to do his best to keep from leaning
on Shinobu for connections instead of support.
They have a solid bond and Goto clearly cares a great deal about her as
more than a co commander. Seeing them
tackle this case with dry wit and determination was a joy.
The setup for Patlabor 2 feels like something out of Tom Clancy film with a hint of Christopher Nolan. The political intrigue is through the roof and it’s a scary scenario to think about. When the military is manipulated into thinking there’s an invisible enemy and sends troops in to occupy a city with no real lead on who they should be fighting, that’s a worst case scenario right there minus the nukes. One mans determination to make a nation feel as helpless as he did during a military operation gone FUBAR brings the chaos you’d expect. I mention Christopher Nolan because many of the snow covered, occupied Japan shots look like a much cleaner version of Gotham in The Dark Knight Rises. Even the shots of chopper bombing bridges brings thoughts of Bane’s men bombing the bridges out of Gotham…maybe this film was a secret inspiration?
Visually, Patlabor 2 is freaking gorgeous, miles above
the first film. It has a more realistic
scifi feel to it, a future that could be very much what awaits us in the next
ten years or so. This upgrade in
animation also means the mechs look amazing.
Be it standing up in display or docked or heading into a very brief but
well done battle in a waterway, the Patlabors never looked better. But action aside, the whole film could have
been muted with Kenji Kawai’s amazing music playing in the background against
all of these images and I would have been satisfied.
If Patlabor 1 is an underrated scifi mecha classic, then
Patlabor 2 is an underrated overall classic of Anime in general. It’s got a great story with high stakes, well
above the norm animation that looks good even 20 years later and a rare zen
state of being I don’t normally associate with scifi/mecha anime. What I mean by that is that it’s easily a
film you can sit down and enjoy. But it’s
also one that can sing you to sleep like a lullabye. Easily one of the best Anime films I have
ever seen.
9.5/10
Not sure I can say the same comfort comes from the final
film of this little trilogy. Not when
something terrible lurks in the waters of Tokyo bay. But trust me, that’s not a bad thing. The Patlabor Trilogy wraps up next Monday with
WXIII: Patlabor the Movie 3.
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