The Animated adventures of souls all across a Galaxy Far,
Far Away return with 9 brand new tales from the most prominent powers in the
world of Japanese Animation. New chapters
in the ongoing sagas of familiar tales are written alongside the beginnings of
a new generation of heroes across the stars.
From youthful pilots to jaded Bounty Hunters to the never ending war
between Jedi and Sith, the Visions grow stronger than ever before as Star Wars
and Anime join forces once again.
For it’s third outing, the Star Wars Visions Anthology
Series returns to its roots with the concept that started it all: Star Wars
plus Anime.
Not that this is ever a bad
thing but it has to be said that returning to a strictly Anime line up of
shorts does immediately lessen to substantial impact made to the series by
opening the doors to the rest of the Animation world for Visions 2.
Not only that but several of these new
offerings feel either underwhelming, incomplete, or just inferior to what’s
come before.
Not that there isnt plenty to
enjoy but Visions 3 is nevertheless the weakest of the three seasons thus far.
Alrighty, since this is an Anthology, as always, I shall
break down the offerings.
First up is
The
Duel: Payback by
Kamikaze Douga and
ANIMA, the first of three
sequels to stories from Volume 1 where the Ronin must contend with the sins of
his past.
Next is
The Song of Four
Wings by
Production Studio Q, which follows a young Rebel Princess
who comes to the aid of an adorable Force user.
The Ninth Jedi: Child of Hope by
Production I.G, continues
the adventures of aspiring Jedi Kara after she is separated from her friends
after a battle with Bounty Hunters.
The
Bounty Hunters by
Studio Wit, sees an exile and her psycho Droid
companion taking on a job that challenges why they do what they do.
In
Yuko’s Treasure by
Kinema Citrus,
two orphans and a teddy bear droid find themselves targets of villains looking
for a treasure only the children can access.
The Lost Ones, also by
Kinema Citrus, finds roaming Jedi F
becoming the unlikely savior of a group of refugees while confronting the
Master she thought lost a long time ago.
In
The Smuggler by
Studio Trigger, our titular heroine
gets hired to escort a rogue Prince and his Jedi bodyguard off world.
The Bird of Paradise by
Polygon Pictures
follows a young Jedi Padawan forced to choose between both sides of the Force
when a battle goes horribly wrong.
And
finally in
BLACK by
David Production, the final moments of a long
Stormtrooper play out in a series of chaotic images during the climax of the
Battle of Endor.
The one thing I just noticed typing all those mini
synopsis is how very similar most of these short stories are to each other in
terms of set up.
Ignoring the three
sequels for a moment, most of these feature a character thrust into some kind
of rescue or escape mission with very little variety beyond the players and
their supporting casts.
The only two of
these nine stories that stand out beyond this are The Bird of Paradise and
BLACK, both of which deal with darker and more challenging subject matters for
Star Wars.
Both feel the closest to the
offerings of Visions 2 with BLACK and its chaotic and nightmare fuel inducing
visuals (the kind that will no doubt keep one up at night) and Bird of Paradise
with its ever changing and beautiful 3D art style.
Overall, variety isnt exactly Volume 3’s cup
of tea, again teetering back into Volume 1’s biggest drawback of too many Jedi,
Sith and Lightsabers and not enough of everything else that makes Star Wars
awesome as a whole.
Let’s talk about the Sequels first.
Volume 1’s The Duel, The Ninth Jedi and The
Village Bride all get follow ups in Volume 3 and all of them…are not that
great.
The Duel: Payback might be the
biggest letdown as it veers away from the more grounded Kurosawa fare in favor
of something more over the top and closer in line to present day Star Wars, not
in a good way.
As good as it is to see The
Village Brides beautiful F again, her return feels like two stories competing
for screentime and neither feels fully resolved in a satisfying way.
As for The Ninth Jedi follow up, Child of
Hope, well The Ninth Jedi was one of the weaker entries in Volume 1 and I definitely
don’t think the sequel was needed.
Also,
the short ends with a “To Be Contnued…” which made me think, oh great is this
the one that’s gonna get another follow up or even worse a full series?
Why?
The Ninth Jedi is so boring and there are much better stories that need
the full series treatment…or just better sequels like The Duel.
Seriously, I’d love to see a whole 13 episode
run of film grain black and white lightsaber duels.
But what really stood out in each of Visions 3’s entries,
the good and the bad, was the quality of the supporting cast, and honestly you
could add Child of Hope to that too cause Teto was way more likeable and
fleshed out than anyone in the Ninth Jedi cast (if it isnt obvious already, I don’t
like the Ninth Jedi).
IV-A4’s split
personality made him an entertaining riot when his Assassin personality kicked
in.
And how can you not love an actually
big teddy bear Droid named Bily?
Honestly though, the MVP character of this season goes to Woopas, the
adorable little force user who now easily rivals Grogu as the cutest character/potential
mascot in all of Star Wars.
Also for all
my dislike of The Duel sequel, seeing Ewoks in action again in black and white
was pretty cool too.
As for the short stories themselves, I definitely had my
favs like BLACK, The Song of Four Wings. The Bounty Hunters, Yuko’s Treasure
were my personal favs.
But even those
were just ok.
Sure they had their
positives like Yuko’s Treasure being a more kid friendly Star Wars adventure
and Princess Crane and Sven standing out as bad ass heroines for the
franchise.
But nothing really grabbed me
though, besides the merchandising bait which is working (I WANT A WOOPAS).
Aside from BLACK there’s nothing visually
arresting or challenging as anything in Volume 2 and nothing comes even close
to matching the creatively fun high bar of “I Am Your Mother”.
Then you have stinkers like the aforementioned
sequel tales and The Smuggler, which makes me wonder why it was even called
that when it’s titular rogue hardly does anything in the entire story besides
whine and make weird faces (also it’s a waste of Studio Triggers talents).
Even if there’s an even balance of Jedi, Sith
or the Force spread across the field unlike Volume 1, everything just feels
either played out or, at best, just ok.
Star Wars Visions 3 may not be a total disaster but it
does feel weighed down by taking a few steps back and not enough creative risks.
The all Anime menu isnt bad but its powers
are mostly wasted on unnecessary and lackluster sequels.
What does work is cute but ultimately just ok
at best.
And yeah, dropping the
worldwide animation aspect that made Visions 2 such a superior sequel dilutes
the experience.
Even if this did begin
as Star Wars getting the Anime treatment, it lacks punch, creative risk and
that WOW factor that made all of Visions 2 and the best of Vision 1 such an achievement.
Not sure we need a Volume 4 but if it does
end up happening, two things need to happen: get more diverse with the storytelling
and let the rest of the world play in the sandbox again too…oh and for the love
of God, no more Ninth Jedi, please?
6.5/10
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