Under the direct request of Prime Minister Tate, Section
9 has been reassembled with all of it’s original seven members. Their new mission: track down and capture a
new breed of individual dubbed “Post Humans”.
Stronger than any Cyborg and possessing little to go on in terms of
motivations or ideals, the Post Human begin leaving a trail of carnage across
the city. And it’s only a matter of time
before the interference of Motoko and her team gets their attention and leads
Section 9 into a showdown even they aren’t prepared to face.
Well it only took about 8 or so episodes but we’ve
finally brought Motoko and the Gang back home for a big ol family reunion.
Section 9 is back in action and ready to take
on the Post Humans and whatever shenanigans the Sustainable War is bound to
throw their way.
While it’s good to be
back in familiar territory, SAC_2045’s Season One conclusion feels sometimes a
bit too familiar.
Familiar plots from
both Stand Alone Complex and SAC: 2
nd Gig peek in and make me wonder
if Kenji Kamiyama is either trying to merge them together into one new case or
is he just being lazy?
Despite this, it
does feel like SAC_2045 is trying to get back to basics with Section 9 hard at
work in the city, even if some of the silly visual ideas from earlier episodes
refuse to go away (looking at you Purin and the giant fish…thingy).
As I figured in my last set, SAC_2045 isnt trying to do
different category episodes like previous seasons and is instead opting for a
straight forward through line of plot.
Every case is somehow linked to the Post Humans, even ones that start
out as stand alone incidents.
In my
opinion, that takes away part of what’s made SAC great in the past.
The central season long mystery is fine but
it’s nice to have those brief distractions to see Section 9 solving other
mysteries and maybe doing some digging into their personal lives.
Instead, it’s all Post Humans, all day long
and two separate happened to involve Post Humans that have been put on Section
9’s radar.
I’ll talk about why both of
these cases are very familiar in a bit but I’ll repeat: these two stories could
be fun stand alone tales and a good way to see Section 9 getting back into
their groove again.
Not everything needs
to be connected to the bigger picture sometimes.
Anyway, there were three stories across these four
episodes.
The first was about a Boxer
turned Post Human who was slaughtering his way through people tied to
reconstruction efforts in Tokyo(seriously what’s with this seasons and gory
decapitations?).
This brought back
memories of a similar case in Season One of SAC where Batou had to confront a
similar fighter over being a spy though this time we had Motoko going one on
one with the powerful Post Human (in her sexy Formal Military uniform, always a
pleasure to see her rocking that again).
The second was about a twisted public justice system where citizens
could vote on whether or not corrupt or villainous individuals deserved
death.
Said death involved the person
being hacked simultaneously by three million users and assaulted by millions of
laughing, faceless, Slender Men which I’ll admit was one of the scariest deaths
I’ve seen on Ghost in the Shell.
This
case found new girl Purin taking the lead at Motoko’s suggestion.
Despite her Batou fangirlness being a bit
annoying, Purin is actually a very talented hacker and investigator and it’s
nice to see her acting more mature and serious.
This earned her some new respect from the team and I’m not gonna lie, I
think Purin would make a nice permanent addition to the team (more so than Paz
and Borma, she’s not just standing around to fill out the ranks).
Now if only she could dial back the need to
impress/flirt with Batou, she’d be perfect.
Oh btw, Purin totally gives Batou a Walkman that looks exactly like Star
Lords from Guardians of the Galaxy, thought that was clever.
The second half of this episode set was a two part origin
story for a young Post Human named Takashi Shimamua and man…it’s a rough
watch.
This kids been through the ringer
both physically and emotionally.
He’s
seen some terrible stuff in his life from his classroom crush clearly being
sexually abused by a teacher to the death of his cousin, Yuzu, in a
shootout.
Trauma like that back to back
is bound to potentially break anyone and Takashi looks poised to be the Seasons
lead antagonist as he tries to take justice into his own hands and test the
society that has failed him multiple times.
But let’s pause there for a second and think.
A kid who’s trying to be a revolutionary
(albeit with some seriously beefed abilities cause he’s a Post Human), who is
able to connect the will of millions of Cyber Brains at once and he’s
influenced by a pivotal piece of literature?
If this sounds familiar it’s because I feel like Kenji Kamiyama is
trying to make Takashi a hybrid of his antagonists from Season One and
Two.
Takashi’s world view has been
shaped by his personal experiences and his love for the novel 1984 by George
Orwell, just as The Laughing Man was inspired by Catcher in the Rye by J.D.
Salanger.
Meanwhile, the millions of
users simultaneous attack sounds very similar to Hideo Kuze’s Hub Cyber Brain
capabilities.
The only thing making
Takashi stand out from them besides his age is being Post Human.
Time will tell if he can somehow measure up
to those two aforementioned memorable and formidable foes for Section 9.
Now for the stuff that still bugs me.
Purin is still freaking out and waving her
hands and gawking like she’s in a show that’s not Ghost in the Shell.
It’s not that the series doesn’t have humor
from time to time but it never goes into the realm of Chibi/Shonen
exaggerations.
Ok, Purin hasn’t
chibified herself yet but her body motions and mannerisms when she gets caught
off guard do not translate well to the series because it’s not Ghost in the
Shell and the animation doesn’t represent it well at all.
Speaking of visuals from another Anime, I get
that you can be anything you want on the internet when it comes to
Avatars.
But seeing Purin have an
ethical conversation with “The Nameless King”, who’s Avatar is a giant
tadpole/fish thingy, is something I cant take seriously because she’s chatting
with a giant that looks like a Boss in Persona.
But the real thing that made me a little bit mad was in the last episode
of the set.
As Togusa is following
Takashi’s story through his memories, Batou is just following Togusa around and
just…either not caring or he’s just being totally freaking oblivious to the
fact that something might be very wrong with his friend and partner.
Instead of just going “Duhhhhh why’s Togusa
wandering around the woods like this?” get in his face man, lock him in one of
the Tachikoma’s you brought with you, ACT CONCERNED AND NOT BEFUDDLED!!!! It
was very out of character for the normally sharp and on his game Batou.
Also he got hacked so he couldn’t see Togusa
disappearing just like The Laughing Man hacked him back in Season One to get
away from him, are we really just going to repurpose all the popular hits this
season?
That brings us to the end of this first half of Ghost in
the Shell: SAC_2045 and so far this is definitely a more mixed season than
before and not just because of the animation style.
Sometimes it feels like proper Stand Alone
Complex but then it descends into wacky visual territory before jumping back to
heavy and dramatic storytelling before making a fan favorite character act like
an idiot while his partner is being taken away by an unseen force.
It’s kind of all over the map, even if there
are some good things about it (Purin is growing on me, it’s good to have the
voice cast back and Motoko looks good no matter what).
At this point, the first half of SAC_2045
ended on a cliffhanger that wouldn’t be resolved for over two years.
Lucky for you, Dear Readers, you only have to
wait a few days.
The second half of
Ghost in the Shell: SAC_2045 kicks off This Friday right here at the Gundam
Anime Corner.
It’s a good point this does feel like a blending of plots from both SAC and 2nd GiG here. We’ve got the mystery of the Post Humans and what they’re doing, with a lot of nation-state level ‘how much is America’ trying to control/puppet Japan, both elements of those other series. I’ll admit, not sure how well that works. Not sure if it feels lazy per say, but more jumbled, and a bit of a mess.
ReplyDeleteAlso agree the loss of ‘Stand Alone’ type episodes is a shame. I’m all for serialized storytelling but it depends on the material, and the kind of show. Comparing say, Deep Space Nine and Babylon 5, both had very serialized elements and also stand alone episodes. In DS9’s case, I think those stand alone episodes gave us some real fun and even great episodes. Even ones set during the big serialized periods, i.e. the Dominion War, you still had some good episode one shots like Magnificent Ferragine and Once More into the Breach, or the Siege of AR558. Stories told around the larger conflict, but not really adding to the ongoing storyline.
B5 had stand alone episodes, but those didn’t seem to work as well as the serialized ones. There’s only a few of those, I feel like coming back too, vs watching the big arcs of B5 (which I’ve done a lot) where I think the best storytelling occurs. Each thing leading to the next, and thus giving us excitement for each episode moving forward.
GITS I think works better along that DS9 model, and those ‘Stand Alone’ episodes are needed. Otherwise, you kind of run into the problem of, it either doesn’t feel like there’s not enough story to fill the whole arc, or characters are forced to make boneheaded decisions, to drag things out. Some of the CW superhero shows, felt like that at times. Too much focus on the ‘big storyline’ vs taking breaks and telling some one shots. Sometimes we just need a fun or good superhero vs the baddie of the week episode.