Wednesday, October 30, 2019

Perfect Blue




Mima Kirigoe has spent two years as a member of the popular Idol group CHAM.  Now she is ready to retire from music and pursue a career as an actress.  This sends ripples through her rabid fanbase and some aren’t taking the news as well as others.  As Mima steps into a new realm of entertainment she might not be ready for, she becomes the target of a dangerous stalker who may be linked to a series of murders involving her current production.  Mima’s grip on reality begins to fracture as a result.  Will the former idol succumb to a spiral of insanity or will she meet an untimely demise first?

Satoshi Kon’s death in 2010 shook the Anime world to the core.  The man was a huge influence on the medium, often focusing his talents on tales of extreme psychological depth and study.  In turn, one could say he became the Alfred Hitchcock on Anime.  After watching his directorial debut, Perfect Blue, I cant say I argue with that sentiment.  Hell, Hitchcock would probably shake hands with Kon and have a coffee with him.  Perfect Blue isn’t just a stellar beginning for Kon’s legacy, it’s one of the Best Anime Feature films of all time.

I’ll get my one nitpick with the movie out of the way because it is minor.  While you always get the sense that Mima was beloved for her music throughout the movie, I wish we could have seen some of that rising idol career, at the very least in an opening movie montage.  That said, it also makes sense that the movie begins at the end of her idol endevors and thus the roller coaster, already parked at the top, begins to descend fast and picks up speed like crazy.  Ok so maybe not that quickly.  There is a good amount of build up to the walls beginning to crumble for poor Mima.  But when they do, HOLY CRAP THEY DO!!!  Kon shows off an expert understanding of tension with every shot of Perfect Blue, to the point where its understandable to feel a bit uncomfortable.  Mima is losing her grip on sanity every few minutes and each new twist and sudden change in scenery only highlights this.  What is real and what is false?  Is Mima the architect of her own downfall or are there other powers at play?  Just when you think you have an idea of where Perfect Blue might be heading, the obvious turns out to be another misdirection and it never feels irritable, only more exciting.

You feel for Mima a lot in this movie.  She isn’t a bad person by any means.  She’s a little scatterbrained but she does want to move on to the next stage of her career and challenge herself.  That comes with a cost she doesn’t expect and her dwindling psyche pays that price.  It’s kind of scary how very real Perfect Blue’s subject material can be.  There have been plenty of real world celebs who have begun careers as fresh faced talents who try to reimagine themselves to either grow as a person or be taken more seriously in show business.  Factor in how crazy some fans and stalkers can be in regards to their idolization of them, which has lead to some pretty serious situations, and Perfect Blue feels like a true Anime take on real life.  It might feel like a story ripe for a live action film.  And yet, Anime is the perfect medium for Perfect Blue.  I’m not saying it could be done but the constant changes in scenery and the ethereal sense that there’s more to Mima’s plight than you might think is a feeling only Anime could instill. 

One part of the movie I found enjoying a lot was the soundtrack.  CHAM’s pop tunes are catchy and fun to listen too even during the darker parts of the film.  Meanwhile, Masahiro Ikumi’s score perfectly adds to the building tension, acting more like a timer or a fuse leading to the big bang when the next twist occurs and leaves you stunned for a moment before resetting itself.  Ikumi’s music mixed with Kon’s direction and the films editing are a match made in Anime heaven.  Never has the downward spiral into madness been given such a fitting score.

Like I said, my nitpick about maybe doing the beginning a bit differently is the only gripe I have about the movie and it isn’t even a serious detriment.  The mystery and the almost complete exclusive focus on Mima and her journey into darkness is one of the most compelling in all of Anime and its boosted by a brilliantly animated feast for the eyes and the brilliant direction of Satoshi Kon.  Horror doesn’t always have to be about Vampires, Werewolves and monsters under the bed.  Sometimes the terror is closer than we think.  Man…Satoshi Kon rocked and if any film truly explains why…it’s Perfect Blue

10/10


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