2052AD. Humanity
lives a new carefree existence thanks to the miracle drug, Hapna. But all of that comes crashing to a halt when
the creator of Hapna, Dr. Skinner, who has been missing for three years,
emerges and announces all who have taken Hapna will begin to die in 30 days. With billions of lives at stake, a special
task force, codenamed Lazarus, is created for the sole purpose of tracking
Skinner down and finding a cure for the Hapna drug. If this band of criminals cant complete their
mission in less than 30 days, it’s game over for all mankind.
Shinichiro Watanabe is an amazing Anime director.
The worlds he creates and, maybe more
importantly, the music he infuses within them, have created some of Animes
greatest legends, specifically Cowboy Bebop.
I single out Bebop because it’s a popular and beloved title for several
reasons, many of which combine to make an Anime even non Anime fans can get
into and enjoy.
It’s a success high I
feel Watanabe has been chasing and trying to replicate since from the Feudal
Hip Hop
infused Samurai Champloo to the
beautifuly composed but longer than it needed to be Carole and Tuesday (I’ve
never seen Space Dandy so I cant weigh in on that one yet).
Lazarus is Watanabe’s latest directorial
effort and it again feels like another attempt to be the next Bebop, complete
with a wild card martial artist, Jazz and a futuristic yet realistic
setting.
And yet the first few episodes
leave a lot to be desired but it does confirm that Lazarus isnt just shaping up
to not be Cowboy Bebop, it’s shaping up to not be anywhere as good as Samurai
Champloo or Carole and Tuesday.
First, there’s the premise.
It’s good, it’s really good.
A ticking clock on a world ending event with
little clues to go on, that’s the kind of setup that makes classics like 24
great.
It means that this race against
time will leave little breathing room with a breakneck pace that will leave you
gasping after each episode…in theory.
For a premise as critical and important as it has, Lazarus and the world
its people live in seem surprisingly chill about everything.
Ok, ok, that could be just the Hapna working
its magic so well that even the end of everything could be met with a smirk,
shrug or “whatever.”
But that’s still
the general reaction from just about everyone in the first episode itself.
Where’s the panic?
Where’s the chaos?
Where’s the “we need to be a little more
proactive in our search instead of just sitting around waiting for a clue to
fall into our laps?”
Oh and for a guy
who claims he isnt playing God landing such a bombshell on all of humanity, Dr.
Skinner seems to be doing just that.
Again, it’s possible he’s bluffing and just trying to teach mankind a
lesson by faking the worst possible terrorist threat of all time.
Still, the arrogance of some baddies befuddles
me.
Second, the cast.
You’d think such an important mission would require more than 5 convicts
and the one person monitoring them.
This
feels like the kind of team you get together for a problem of the week type
situation in a TV procedural and even then it’s not a very good one.
We get very little info about the members of
Lazarus outside of Axel and none of them seem fascinating even without it.
Chris is hot, sure.
Eleina has a sweet Ghost in the Shell style
setup for hacking.
That’s about it.
It doesn’t help that the first few “leads”
Lazarus has to follow to get to Skinner lead to some really boring
outings.
Thank God the runtime is so
short so episodes go by quickly despite the dragging pace.
Then there’s Axel.
This dude is trying way to hard to be Cowboy
Bebop’s Spike Spiegel from his moves to his attitude.
Now the reason we all love Spike that he’s
arrogant but likeable, a charmer but a bit of a sleaze, an overconfident
fighter but a guy who doesn’t brag about his skills.
Axel is the opposite in every regard:
arrogant to the point of wanting to be punched, zero charm and so overconfident
he literally says he’s “Invincible.”
Hell, the whole first episode is Lazarus just trying to bring in this
guy who thinks he’s the greatest Parkour escape artist ever born.
Suffice to say, I don’t like Axel as
lead.
The others aren’t interesting or
engaging.
And this is the team that’s
supposed to save the world?
God help us
all, seriously.
Anything I did like about the premiere is few and far
between.
Animation wise, the show looks
fine and some of the action scenes do invoke Watanabe’s work on The Animatrix
(would make Axels gravity defying antics more plausible).
While the world could use some fleshing out,
I do like that Lazarus isnt skimping on the global scale stage.
That kind of usually overlooked diversity is
what made Cowboy Bebop and even Samurai Champloo so memorable.
Then there’s the music, which sometimes I
feel Watanabe focuses on more so than story and that’s not always a bad
thing.
The music of Lazarus is also
trying to bring back that Bebop vibe with sax filled jazz but it does echo the
undoubtably chill vibe one might feel from taking Hapna themselves.
It’s not on the same level as those other
three Watanabe projects I keep bringing up but it’s far from the worst thing
about this show so far.
Earlier this year I looked at Samurai Champloo and
admitted the show needed to do some work in plot and diversifying it’s
adventures.
But it still worked thanks
to the animation, music and coolness of Mugen and Jin (not so much Fuu).
By comparison, Lazarus is in trouble right
out of the gate thanks to a lack of urgency regarding it’s main plot,
characters who either infuriate or are dull as dirt, and an overall feeling
that after three episodes, nothing’s really happened.
They’re really gonna stretch this out into 13
episodes?
Well ok, let’s see if things
can get any better with Lazarus Next Monday right here at the Gundam Anime
Corner.
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