When a series of fishing boats suddenly disappear, the
worst fears of Japan are realized: Godzilla has returned. Even worse, he’s been followed to the
mainland by another powerful monster, Angirus.
Japan barely survived their first encounter with the King of the
Monsters. Now with an impending showdown
between two titans, can anything stand in their way? When even the might of the Japanese military
proves fruitless, the cleverness of a pair of untested pilots could be the key
to victory before all of Japan burns in the wake of this clash of monsters.
Welcome to Godzilla Month II.
All throughout November we’ll be looking at 4
Godzilla films, one from each of the main eras of the series, starting with
todays Showa Era offering.
The original
1954 Gojira was a true masterpiece of visual spectacle and hard hitting
messages about the horrors of atomic fire.
While it ushered in a new era of theatrical monster movies in Japan, I
doubt anyone expected Godzilla to get a sequel, especially since he was very
much dead at the end of the original.
I
doubt even more imagined what kind of a direction the series would take after
the gut punching original.
This brings
us to Godzilla Raids Again, a rushed sequel that shows its rushed while also
giving birth to many of the tropes that both define and hamper all Godzilla
movies to this day.
Indeed Godzilla Raids Again is the debut of one of the
main draw of any Godzilla film: the Kaiju showdown.
It’s rare to see a film where Godzilla isn’t
locking claws and teeth with another titanic beast and clearly it was enough of
a hit here to ensure that’s what he’d be doing for much of the next 60
years.
The King of the Monsters first
foe, Angirus, is iconic in his own right, more often seen as an ally to
Godzilla but here they start as rivals.
Unlike other films to follow, Godzilla Raids Again doesn’t slow down the
movements of the suit actors during fights, instead letting the camera run at
real speed.
I understand this was a
behind the scenes problem…but I’m not gonna lie, I kind of like it.
While the sped up action loses a lot of the
epic movements and punch of traditional Kaiju battles, it still gives the
Godzilla vs. Angirus fight a more feral like ferocity.
It’s a rough and tumble brawl throughout
Osaka with tons of destruction and mayhem, basically everything we come to
watch these movies for.
I can see why
changes were made to the style of filming these fights but as far as they go,
this is still a solid first showdown for The King and Angirus and it’s easily
the best part of the movie.
Unfortunately, the actual story of Godzilla Raids Again
feels non existent.
And when you’re
following up one of the darkest reflections on the horrors of Atomic Power with
a story about a fishing company trying to get by, yeah it doesn’t pack the same
punch as dealing with the fate of an entire nation at the hands of an
unstoppable lizard.
Instead we have a
bunch of characters I didn’t bother to learn the names for, either running for
their lives or laughing in the middle of their ruined office buildings and
streets because hey we need to make this movie lighter in tone for some
reason.
The pacing of the film also
slows to a crawl whenever Godzilla isn’t on screen, especially in the second
half.
And even when Godzilla does
return, he doesn’t do as much.
There’s
tons of footage of humans trying to stop him through a rather silly
scheme.
But nothing ever matches the
same intense stakes or the heroic sacrifice of Dr. Serizawa at the end of
Gojira.
Sadly, this is a trope that
continues to this day in many Godzilla films.
So this is where the beginning of the pointless human subplots in
Godzilla movies begins.
As a follow up to one of the greatest Monster films ever
made, Godzilla Raids Again doesn’t hold a candle to Gojira.
At the same time, it introduces several
elements that are staples of the Godzilla series from the main event showdowns
to the meaningless human characters just around to pad out the runtime with
nonsense and pointless chatter.
It feels
like a very rough first draft of a formula other Godzilla movies would perfect
further down the line.
Godzilla might
get a solid match up in Angirus.
Too bad
everything else feels so subpar and well below the standards of the King of the
Monsters.
4/10
Next Week, we jump ahead almost 40 years to the epic
conclusion of Godzilla’s Heisei era with what many consider one of the very
best in the entire franchise.
It’s
Godzilla
vs. Destroyah, Next Monday right here at the Gundam Anime Corner.
A good review my friend. Raids Again suffers from not allowing the story long enough to cook in the oven basically. The basic premise isn’t bad, a new Godzilla and new monster in the form of Anguirus arises, echoing Dr. Yamane’s warning from the first film. Using the theme of basically, average joes of a fishing company who sees their livelihood and lives upended by disaster, ties into how I’m sure a lot of Japanese citizens felt post-WWII. They had no say in the actions their government did, and then found their homes, businesses, families destroyed by the war as a result. Moving away from the ‘big picture’ of planning against Godzilla and stuff, to focus on how everyday people react had some merit.
ReplyDeleteBut as you said, rushed production on this didn’t help and let those ideas get better thought out. That’s how we got the error in the fight scenes with Godzilla and Anguirus. When they filmed, they used the wrong shutter speed, and as a result didn’t film things correctly. Tsuburaya had no time to reshoot or fix it, so they had to leave it in, much to his frustration. I get why you say it feels more animalistic but it’s so against what we usually see in the Godzilla films, it doesn’t work for me.
I think the kernel of a good idea for a film is here, but better if they’d taken more than a year to work everything out. Maybe getting Honda back to direct or a few more revisions of the script would help, because again as you said it has some pacing issues. I’d maybe go 5/10 on it, just because I think there are worse films. This one at least doesn’t have annoying characters or silly elements, which affect some of the other Showa films.