During a violent riot in an alternate 1950’s Japan, Kazuki
Fuse, a member of the elite Keberos Special Unit, fails to kill a young, female
terrorist bomber, who in turn kills herself in front of him. Removed from duty, Fuse encounters a girl
named Kei, sister of the girl who died before his very eyes. As a bond develops between the two, Fuse
seems to question his place in the Special Unit. All the while, a plot is brewing to eliminate
the Keberos and Fuse may be the key to making this a reality. Torn between duty and love, Fuse must chose
the path of a human or the path of a beast.
Jin Roh: The Wolf Brigade is another brainchild of the brilliance
that is Mamoru Oshii. Actually, it’s the
third feature in his often overlooked Keberos Saga, following two live action
features-The Red Spectacles and Stray Dog: Panzer Keberos Cops. And while Oshii himself doesn’t direct the
film (he did write the screenplay), Jin Roh still bears much of his signature
storytelling. Factor in some amazing
talent from Production IG and you’ve got a very classy, if a little confusing,
Anime feature of the very mature variety.
When I say mature, im not just talking about the subject
matter. Visually, this film is as close as Anime gets sometimes to a live
action film. It actually wouldn’t shock
me if Oshii initially wanted Jin Roh to be a third live action film in the
Keberos Saga. In lew of that, there
looks to be a lot of time spent in making the alternate 1950’s setting look as
legitimate as possible. It’s not Ralph
Baskhi rotoscoping, but the world and characters feel very lifelike. There are other Oshii-isms that pop up here
and there in the production. The slow camera
pans across long city streets echo Patlabor or Ghost in the Shell. And while it may not be Kenji Kawaii
composing the beats, Hajime Mizoguchi (Co Composer on The Vision of Escaflowne
Soundtrack with Yoko Kanno, both the series and the movie), gives a sweeping
score that’s thought provoking, incredibly intense and at times, pretty
scary. Oh and the action? For a poster with a bad ass soldier on the
front there’s very little but what there is, wow its brutal. Bullets fly not in a manner of overkill but rather
being incredibly thurough. Much like Red
Spectacles or Stray Dogs, whenever someone dons the Keberos Armor, whoever gets
in their way isn’t living to tell the tale about their encounter. The way Fuse stalks his prey in the sewers is
very wolf like, fitting of the title, and his execution is almost like that of
Arnold Schwarzenegger’s Terminator. And
yet that isn’t the scariest moment on the film, more on that in a moment.
So Jin Roh looks and sounds incredible but how does the
story, a more or less real world look at the old Red Riding Hood tale, work for
the movie? Well, it’s both fascinating
and a bit of a hinderance. For what it’s
worth, the screenwriters aren’t playing Disney adaptations with the Grimm Fairy
Tale. It’s a bold, hard look that isn’t afraid
to play with the subject matter in unexpected ways. I said above that the scariest moment of the
movie isn’t how Fuse kills his enemies, but rather it’s a nightmare he has
about a wolf pack mauling Kei to death.
Kids stuff, this movie is not. As
powerful as that scene might be, it is hindered by the fact that the movie
tends to bombard you with the parallels between Fuse and Kei and the Wolf and
Red Riding Hood of the Grimm Fairy Tale, albeit with an older, more romantic approach. The first couple of references are fine (Fuse
being the Wolf and Kei being Red Riding Hood), as are the few made during the
films finale (when Fuse the Wolf is finally unleashed), but the middle portion
is where things get a bit repetitive when they need to be moving at a brisker
pace, not weighed down by nods. Also,
maybe it’s just me but Fuse feels so cold and detached sometimes its strange to
think of Kei ever being interested in him, her being such a free spirit, though
with a morbid fascination with real world truths. Maybe that’s the point?
And then there’s the political drama. Jin Roh takes place a couple of decades
before The Red Spectacles and Stray Dog.
While you don’t need to see those two films to enjoy this one, there is
a sense of set up going through each scene involving Fuse’s superiors. This leads to a very complex, cat and mouse
game between two rival groups. We do get
to a point where we find out one side has been playing the other all along but
it all feels sometimes like it belongs in it’s own film, whereas the doomed
romance between Fuse and Kei could have been its own. The political side is kind of interesting, maybe
not Clancy level interesting but it fits with other Oshii tales. And in the end, the two plotlines do converge
to give a very effective and solid finale.
Still, the mix isn’t as strong as it could be. Thankfully, the film is pretty enough to keep
interest where the story does falter.
Jin Roh is considered a classic by many and I will agree
to that. In an age where ones common
take on Anime is either over the top violence or zany adventures, Jin Roh
offers mature storytelling with a hard, real world edge that rivals most Hollywood
film projects. The story might not be
tight but the animation, music and action are all top notch and then some. Having seen the other two films in this series,
I can say Jin Roh is my favorite as I did think Red Spectacles and Stray Dog
were kind of boring. Jin Roh always had my
interest from beginning to end, even in the slower parts and bits that left me
confused. I’d recommend giving it a
watch. If Akira showed the world what
Anime was capable of pushing the limits of the imagination, Jin Roh is a good
example of how even Anime can make the real world feel more real than it already
is.
8/10