This Friday on First Impression Fridays, I’ll be taking a
look at the first two episodes of the long anticipated Blade Runner Anime-Blade
Runner: Black Lotus. While not the first
Blade Runner Anime to ever exist (that honor goes to the short Blade Runner: Blackout
2022), Black Lotus is the first Anime TV Series to ever come out of this long
standing inspiration of cyberpunk and Anime alike. If you’re new here, 1982’s Blade Runner is my
favorite movie of all time and I could talk about how awesome it is all day. I’ve been digging deep into its mythology and
behind the scenes production since I first saw the movie on SciFi Channel in
2000. Most people might not realize that
there are 5 Official Versions of Blade Runner in existence. And today, I’m gonna rank them in a Top 5
list and whether or not theyre worth a watch: Spoiler Alert-Most of them
are.. These are the Top 5 Versions of
Blade Runner.
I love Blade Runner, I do. And truthfully, any version of the movie is
worth a look…except maybe this one. The
International Cut is virtually identical to the Theatrical Cut of the movie
save for a few literal seconds of extra violent scenes that all come very late
in the film. The only reason this Cut
continues to show up in all the collections is this is the version that was released
on Home Video and as part of the Criterion Collection Laser Disc
selection. In my opinion: this is the
one Cut of Blade Runner you can skip without a lot of fuss. Those extra few seconds of bloody and
violence, they show up in other cuts down the line.
The Workprint is the original Rough Cut of Blade Runner
that was shown to test audiences in
March of 1982 and was subsequently rediscovered and shown at unofficial
screenings in the early 90s which prompted the creation of another Cut we’ll
talk about later. The Workprint is
certainly unfinished but is still unique in its own right with new edits, rare
music not seen in any other version of Blade Runner (including a more
appropriate song for Deckard and Rachel’s “Romance” scene) and even a couple
bits of new narraration from Deckard towards the end. I’m not sure how I would’ve felt about Blade
Runner had I seen this first. The test
screenings in 81 were negative, leading to our next Cut. However, the residscovery screenings had a
more positive reception, even I liked it…so maybe it’s a good idea to watch it
after you’ve checked out everything else.
This was the version that showed up on Scifi Channel in
2000, my first ever exposure to Blade Runner.
This is the Cut that features all the cuts made thanks to the reception
around the Workprint and also features full Deckard narraration for most of the
movie. Neither Ridley Scott or Harrison
Ford wanted narraration included but I kind of like it, even if it does a bit
of hand holding. It adds a bit more film
noirness to the story. Regardless about
how one feels about being told a lot about the world from Deckard’s
narraration, that old Blade Runner magic is still intact. Thanks to this movie, I came to love certain
Anime that it inspired down the line like Ghost in the Shell and Psycho Pass
thanks to its themes of identity, mortality and that ever blurring line between
Man and Machine…plus I was quoting Blade Runner like crazy, still can and still
do.
This is kind of a misleading one because while it’s
called “The Director’s Cut” it’s not really that kind of Cut. Ridley Scott was busy filming Thelma and
Louise at the time but thanks to the resurrection of The Workprint and the
positive response from audiences, he gave Warner Bros. his blessing to work on
the Cut without him. This version of the
film contains several heavy changes to the original narrative including the
removal of Deckard’s narraration and the “Happy Ending” from the Theatrical
Cut. Most importantly, The Director’s
Cut marks the first appearance of the extremely important Unicorn Scene. It may look like a deleted bit from Ridley
Scott’s “Legend”. But the bigger
implications from this short scene opened up the Blade Runner universe for me
like never before and actually made me really study the film and ponder the
biggest question always surrounding it: Is Deckard himself a Replicant?
(Personally, the answer is Yes and the movie is far more fascinating for it).
For the 25th Anniversary, Ridley Scott
returned to Blade Runner with his full investment and finally perfected his
vision from 1982 with enhanced visuals, touch ups, and basically everything
from every other edit combined into one final product. No Narraration. No Happy Ending. The
inclusion of small snippets of long lost footage. All the extra bits of
Violence. Even the original version of
the Unicorn Scene restored to its proper self.
When people ask me which version of Blade Runner to watch before
watching Blade Runner 2049 or any other story in the franchise, I’ll tell them
to watch The Final Cut. After all, this
is the way Blade Runner was always meant to be experienced and its rare a movie
can reach a level of completion so long after it originally came out. While I wont say every version before it was
bad (the International Cut is just pointless) it definitely feels like we were
being provided several negatives before we reached this positive (See i can
still quote the movie like that, cant stop wont stop).
When the Final Cut was released on DVD and Blu Ray,
several Special Edition sets included every official version of Blade Runner in
existence (including the Workprint).
There’s also a treasure trove of behind the scenes specials, interviews,
storyboards, everything you ever wanted to know about Blade Runner and how it
was made. I mention this to recommend
The Deleted Scenes, which can be played in sequential order as one continuous
and uninterrupted 45min feature. The way
they’re all edited together it feels like you’re watching a companion piece
that’s slightly abridged. And most of
these scenes are “new” in that they’ve never shown up in any version of Blade
Runner out there. New stuff includes Deckard
seeking advice from his Blade Runner successor, Holden, who was shot and almost
killed in the films intro; an expanded role for Deckard’s partner Gaff,
including more City Speak; and a ton of Deckard narraration. It’s like you’re watching an unofficial 6th
Cut of Blade Runner and its one of the most fascinating gems in what I consider
a treasure trove of filmmaking history.
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