Monday, October 31, 2016

Kibakichi 2


Kibakichi’s lone travels are interrupted when he becomes the target of not one but two opponents.  A wild warrior named Sakuramaru is killing indiscriminately, looking for the strongest of opponents and he thinks Kibakichi is his man.  Meanwhile, the beautiful Anju continues to seek revenge against Kibakichi for the destruction of their home village.  This trio of lost souls doesn’t realize that they are falling into the trap of a powerful demon who is determined to exterminate monsters.  As the night falls, Kibakichi, Anju and Sakuramaru will have to battle themselves and a new breed of enemy if man and beast are to have a chance at survival.

Now here is a tough one.  As I said in the previous review, it was going to be interesting to gauge whether or not Kibakichi 2 would be better or worse than it’s predecessor based on the low set bar.  In some ways, Kibakichi 2 is an improvement over the first.  But at the same time manages to fail just as spectacularly in many respects.  Mixed reactions indeed.

The best addition to the (short lived) mythos, is Sakuramaru.  Played very much in the style of Kikuchiyo from Seven Samurai, only a lot more violent, Sakuramaru is a beast of a man who loves to kill but is also a bit of a loveable oaf at the same time.  I loved how, during his first fight with Kibakichi, he broke his sword and immediately called a “time out” to get another one (and a better one at that).  There’s a lot more depth that explored through a tragic backstory.  It wouldn’t have been a bad move to just make the movie about him all the way and ignore Kibakichi all together.  I was never bored with Sakuramaru and wish a little more had been done with him.

Kibakichi and Anju are about the same as we last saw them.  Anju’s just scowling and Kibakichi is saying very little while looking bad ass.  Kibakichi got a little bit of an upgrade (in my opinion) in the make up department when he begins to “wolf out” in the final battle.  Seeing him just a bit more grizzly and not in full blown Werewolf form is a better Werewolf look for him in general, or at least doesn’t look as cheesy.  What’s funny is that we actually see fewer monsters in this film that we do in the last one.  We get glimpses of some of the monsters of Onizo’s village who died and there are a couple in that God awful finale (more on that in a sec, a rant is coming).  But for a series about monsters hiding in plain sight as humans, the monster side is horribly downplayed. 

One thing I do have to give credit to the first Kibakichi for, at least the villains plot was an actual plot.  Yamagi and his clan needed Onizo and his clan to kill for them to attain power and then Yamagi and his team set out to destroy them to cover up evidence.  Dougan in Kibakichi 2…has no plan.  He talks about ugly monsters when he in fact is one and never gives a reason for his hatred of Yokai.  Why does he have followers?  Why do THEY hate monsters?  There’s hints that theyre being controlled by a spell of Dougans but it’s never really talked about.   Dougan looks and talks terrifying…at least in his human form (those eyes man).  But when he reveals his “true form” Man…SUCH A FREAKING LET DOWN!!! Dougan would have done well just to keep his creepy eyed, black hooded form throughout the entire movie.  Seeing that he is actually a very poor Sentai villain underneath it all is as bad as discovering Hayden Christiensen is the man behind Darth Vader (you omit that a little easier knowing Vader is a bad ass so long as he’s voiced by James Earl Jones though).

Ok, I said I rant was incoming and Dougan and his poorly developed crew were just the primer.  While there is a lot more action in this film than the last Kibakichi, there’s still the fact that the final battle feels incredibly underwhelming once the “monsters” come out to play.  Again, Kibakichi seems more deadly with a sword than in his true Werewolf form, and Sakuramaru’s action scenes are not bad at all.  But…when Kibakichi and Anju both transform to settle an old score…I don’t know what the hell we witness but it isn’t a fight.  Not only is Anju’s Werewolf make up just terrible, not only does this look like it was shot on a soundstage instead of in the outdoors (though given how bad this is, I can see why youd tape it behind a tightly locked door), but ITS NOT A FIGHT!!! It’s a slow motion mating dance…I think.  There’s no blood, there’s no tension, there’s just two people in fur suits putting on a very elaborate dance number mixed to some of Kenji Kawaii’s reused music from the last film (though the Kibakichi main theme itself is pretty epic).  And it even ends with a flying kick duel in front of a full moon.  I’d say it’s so bad you have to see it but even I wouldn’t want to see it again and every time I do, I cringe hard.

Kibakichi 2 may have better action (as far as swords are concerned anyway) and has an outstanding new cast member to keep things entertaining and fresh.  I cant say the rest of it is any better though.  Terrible villains and a so bad it’s unwatchable finale kill any further hopes of a continuation of this series (if any existed at all).  Kibakichi was supposed to be an old school samurai/horror series.  But it’s neither scary nor does it have a lot of the promised Samurai bloodbath action.  Like I said, it’s hard to say if this was worse or better than the first film.  I guess I can tie it, seeing as how both films have equally bad moments as well as good.  But Kibakichi 2 has that mating dance, so bad you might as well slap on “The Lion Sleeps Tonight” and laugh at how serious the moment tries to take itself.  So I’ll take it down a peg.

4/10
Well with that special double feature out of the way…go scare yourself with some fun cosplay or Halloween costumes and attain all the candy you wish.  I’ll see you guys tomorrow with the debut of the next series for review, the TV adaptation of CLAMP’s apocalyptic showdown, X.

Kibakichi


His name is Kibakichi and his is a Wolf appearing as a man.  His travels have brought him to a village deep in the mountains.  Here a Yokai mob boss seeks to create a paradise where Humans and Yokai can live in peace like long ago.  Kibakichi is skeptical, having paid the price for trusting humans with the inadvertent destruction of his own home.  But when a shady government official prepares a team of Yokai exterminators to enter the village and kill everyone, Kibakichi will have to decide if one mans dream is worth dying for.  Either way, when Yokai begin to fall to the hands of man, the real Kibakichi is unleashed…and there might not be anyway to stop his rage.

I know X was supposed to start today but it didn’t seem right to do a review on Halloween of something that isn’t exactly horror in nature.  I had debated a while if I was even going to do this film and it’s sequel for Halloween…and in the end said, why not? 

It’s kind of hard to say when Kibakichi was released, information about the film is actually kind of sparse online.  Even though some sites say it came out around 2004, the look and feel of the film is almost reminiscent of 60’s and 70’s samurai films like Zatoichi and Sleepy Eyes of Death.  So I guess you could call this film a throwback to those days of wandering samurai getting into plots when all they want is some peace and quiet. 

Ironically, there’s an awful lot of quiet in this film after the amazing opening scene.  Seeing Kibakichi cut down a small group of thieves single handidly is something straight out of an Anime and is a joy to watch over and over again.  After that though, once Kibakichi arrives at the village the film is set in, things kind of hit a screeching halt.  Most of the movie is several gambling scenes and shots of life in this village of monsters disguised as humans.  There may be one or two tiny bits of tension but they never amount to much.  Even the horror factor feels a little low as we see most of the Yokai in the village in human form and rarely ever in monster mode (more on that in a second).  Once we get to the last half hour, however, it’s no holds barred action and Kibakichi is at it’s best when the werewolf Samurai actually gets to use his sword.  Anyone who’s a fan of over the top gore will get a kick out of the old school blood spraying when someone dies or loses a limb, it’s actually pretty hilarious.

Kibakichi’s true form is…more miss than hit.  The initial werewolf transformation is a little intense but once it’s complete, the film becomes laughably bad with it’s action.  The editing is choppy (my guilty favorite is when Kibakichi smacks a soldier twice, walks away, and then two seconds later the soldier spins to his death), the monster effects don’t look any better than what you’d see in a carnival haunted house, and really it just feels like youre watching a sample of an old Super Sentai battle with guys in suits not looking so terrifying.  For this being a village full of monsters, we don’t get to see too many monsters, nor do we see Kibakichi fighting them in human or wolf form.

There are plenty of good ideas here.  A village where monsters live as humans to avoid suspicion is novel but not when the monster aspect is almost nil.  It’s also good to connect it to Kibakichi, who knows as well as we do that the humans will eventually kill them off…cause it happened to his people once.  And come on, the bad guys are boy band models in black outfits, why the heck would you ever trust them?  Back to Kibakichi himself, his backstory is pretty tragic and the look of horror on his face in his nightmare flashbacks is genuine.  Same cant be said for his female Werewolf counterpart, Anju, who only appears for one short scene to set up her appearance in the sequel.  All Anju ever does is scowl, even when the flashback is showing happier times.  She’s hot, I’ll give her that.  But Anju never leaves an impression and she could have been left out of the film all together and nothing would have been bothered.

In my honest opinion, Kibakichi is worth the watch if only for the fantastic opening and the hilarious finale.  And by hilarious I mean the actual monster v monster battles (watching the village get massacared is actually pretty sad).  If you can stomach all of the slowness and unimpressive monster visuals in the middle, you can salvage your viewing experience with those two sections of the film.  If you’re a fan of lowly samurai with supernatural skills wandering the land and getting into trouble, it’s not a waste of time…but there are better titles out there (and probably scarier ones too).

5/10
Does the sequel fair better or worse?  I don’t know, this one set the bar pretty low.  Guess we’ll see later on when I post my review of Kibakichi 2.
 

Friday, October 28, 2016

FIF#26-Fate Kaleid Liner Prisma Illya 2wei Herz


Summer has arrived and Illya, Miyu, Kuro and their classmates are ready to hit the beach for some fun in the sun.  But this isn’t just a simple vacation, at least not for everyone.  An 8th Class Card has been confirmed and it just so happens to be buried under the ocean where Illya is vacationing.  Rin, Luvia and even the psycho enforcer Bazzet, are putting aside their difference to track down this illusive and possibly most dangerous card of them all.  And what is the reason for Miyu’s own draw to the card and why isn’t she willing to tell her best friend, Illya, about it?  Illya and her friends should enjoy their time off while it lasts…cause their greatest battle is about to begin.

The little series that could returns.  Yep, I made it past Season 2 and am a couple of episodes into Season 3, well enough for a First Impression.  The real challenge of Prisma Illya has always been the balance of comedy and action drama, even though this series is, at it’s core, a parody of Fate/Stay Night.  Season 2 kicked things off with some wild action scenes between Illya, Miyu and newcomer Kuro.  And we were left with the workings of a big mystery at the end of Season 2 that was meant to no doubt be the driving force for Season 3.  My point is, why start off Season 3 with so much comedy not even pertaining to Magical Girl antics?

The humor has always worked best when it’s focused on Illya, Miyu and their core group.  When it extends to Illya’s classmates…I get a little overwhelmed to be honest.  For starters, I’m a lot like Miyu when it comes to them, I don’t even know who these girls are and frankly, I could care less.  Secondly, why are they so concerned with being friends with one particular student who runs around naked on the beach and is prone to pretty much getting them all arrested (in any other world)?  Some of the beach humor with Shiro (who’s roles been pretty boosted since Season 1 when he was barely around) and the first appearance of Issei from Fate/Stay Night.  I’m sure those who (for whatever reason) ship those two will get a kick out of Illya’s friends writing their own fan fiction about them.  It was also pretty entertaining to see Ruby’s love potion backfire and drive Shiro to confess he likes Luvia and Rin for their boobs and legs respectively.

Bazzet kind of got on my nerves when she first showed up at the end of Season 2.  I don’t know, I was sort of annoyed that absolutely nothing could take her down and her high and mighty status bugged me.  Now she’s out of a job (or at least cut off from funds cause of her blunder last season) and has to work part time at the beach selling ice pops…that was pretty funny.  With everyone trying their best to break Illya’s sanity (with friends like these right), Bazzet could only attempt to do her job even at the wackiest of times, “WOULD YOU LIKE A POPSCICLE!!!???”  I was laughing at that quite a bit.

Still, with the knowledge of an 8th card in existence, it begs the question: what class is it?  All of the other Fate/Stay classes have been covered (Archer, Lancer, Rider, Caster, Assassin, Berzerker and Saber).  So what the heck is #8?  More importantly, how is Miyu connected.  Only Kuro seems to catch a hint of something drawing Miyu away whenever it’s mentioned.  Is Miyu maybe an outward manifestation of the card, like Kuro was sealed within Illya?  Most of these questions are ones I asked myself at the end of Season 2 when the topic was first broached, but theyre barely addressed in the first couple of episodes here.

I’ve got a bad feeling about who or what the card might be.  And if that’s the case, it’s probably a good thing to get all the humor out of the way now.  Hopefully the action will be as good as the intro animation suggests (though I like the opening theme from Season 2 more than Season 3).  Lastly, I love the end theme.  It sounds like it was made from a Super Nintendo soundtrack and it mixes well to Illya rushing (and failing) to make a cake.

I’ve made it this far with Prisma Illya.  And I have no doubt sometime soon I’ll be doing another FIF on the recently aired Season 4. 

Wednesday, October 26, 2016

T5W#63-Top 5 Otakon 2016 Anime Cosplays


(I love this pic from 2011 btw.  That kid in the back pulled that blanket up so quickly it was adorable)
 
Having been able to go to conventions for the last seven years, ive seen hundreds of amazing cosplayers who have made a combination of thousands of costumes.  They bring characters to life on a regular basis, so much so it pretty much feels like Halloween all year round.  So while thinking of a good Top 5 Topic, to conincide with Halloween next week, I decided to revisit Otakon 2016 and pick my 5 Favorite Anime Cosplays.  As the title suggests, these are cosplays exclusive to the Anime category (so no DC, Marvel or Video Games this time around though I could do another list on those later).  Anyway, onto some of the best cosplay ive seen since I started going to Otakon 2010, and in the final year of it’s time in Baltimore it definitely saved the best for last.

 

#5-Sakura Kinamoto (Cardcaptor Sakura)
As a favor for a good friend, I always try to keep an eye out for any Sakura cosplayers out there.  Cardcaptor Sakura is an older Anime but a gateway title for many fans (most of whom first saw it as Cardcaptors on Kids WB…if you can remember that).  Sakura’s got a closet full of costumes, it’s actually kind of strange she actually has an official look when she has so many.  This one looks like a Dragon Ball Z Saiyan Armor variant (especially with the shoulder pads).  It could even be an “Ultimate Battle” look.  Either way, it rocked and my friend was overjoyed to see it when I showed her the pic as well.

 

#4-Rory (Gate)

A good friend got me into Gate not long after it came out and Rory is probably my second most favorite character next to Itami.  I mean, she’s a gothic Lolita death God and she’s not shy about how she looks, acts or generally goes about daily activities being naughty, devious and bad ass.  Gate is still really recent but I know it’s got a pretty decent following.  Seeing as how I only get out to one or two conventions a year, I don’t know how widespread the cosplay for Gate is (or if characters like Tuka and Leilei are more popular choices…but Rory is Lolita so she probably tops them).  I think I spotted a couple of Rory’s at Otakon but this one was my fav.

 

#3-Motoko Kusinagi (Ghost in the Shell Arise)
Those of you who have read my Ghost in the Shell: Arise reviews know that this iteration of Motoko is my favorite so far.  She’s got a bit more depth and she’s a younger version, so a bit inexperienced and flawed.  And her outfit is very much what a bad ass cyborgs should be (besides the all black commando body suit).  It kind of reminds me a bit of Akira (fitting since she does ride a kick ass motorcycle).  Sadly, I don’t think ive seen this version cosplayed as much as her Stand Alone Complex iteration.  I had to stop for a photo of this cosplayer the second I spotted it and I think she was happy at least one person recognized her.

 

#2-Ryo-Ohki (Tenchi Muyo)
Was I imagining things when I saw this when I saw it from one floor above?  I could have been since I spotted this one right before I left the con on Sunday.  Thankfully, I was fully sane and so happy I actually got to see a Ryo Ohki Cosplay.  It even had the carrot and everything.  IT WAS SO FLUFFY!!!  Never since the official back pack plushie have I seen Ryo Ohki done so much justice in design. It was one last happy gift from Otakon to me to see such a rare cosplay done right.

 

#1-Sailor Venus (Sailor Moon)
Ive seen dozens of Senshi since I started going to Otakon and Katsucon.  So why does this particular Venus stand out?  Honestly, it’s the glasses.  True she could have rocked the cosplay without them but somehow they added an extra charm to the overall look and made it pretty unique.  She made them work and I almost want there to be an official Venus with Glasses variant out there in the cannon.  Not to mention, the cosplayer looked so empowered and energized by her work that it was no wonder she was pretty much leading the Sailor Moon Shoot on a VERY hot day. 

Monday, October 24, 2016

Hellsing Part 4 Episodes 10-13


A devastating attack has left Integra at deaths door.  As the leader of Hellsing fights for her life, Alucard and Seras find themselves locked in their own desperate struggle against Incognito and a new breed of undead enemy.  When Hellsing finds itself lured into a trap and set up as a terrorist organization, all bets are off.  Incognito unleashes his endgame and the quest for his masters becomes more imperative.  Is this an enemy not even Alucard can stand against?  London is burning and it’s the perfect stage for the hellish showdown to come.

Confusion.  Unfulfilled potential.  Missed opportunities.  Total Disappointment? Maybe that last ones a bit harsh.  There is a fair bit to like about these last 4 episodes of Hellsing.  But it cant save it from the sad truth that this is one serious let down of a finale. 

So after slicing her throat open cause she got bit by a Vampire, Integra gets rushed to surgery and survives?  Yeah, anyone expecting the head of Hellsing to bite it and add some more tension to the final events of the series might’ve been disappointed by that…or not cause Integra is an awesome character.  It still feels a little like a cheat.  Integra hanging onto life by a thread did give us probably the best episode of the whole series: the history of young Integra and how she met Alucard.  It almost feels wrong to call young Integra cute but it’s true.  But you definitely weren’t calling her cute when she made her bold declaration of never giving up to Alucard.  That moment was when the Integra Wingates Hellsing we have seen from Episode 1 until now was born…and it was glorious.  Equally glorious was seeing Alucard tear her traitorous Uncle and his bodyguards to shreads.

Once Integra was back on her feet, though, the rest of the series took a nosedive down hill.  Everything else in the last three episodes is a jumbled mess of a plot.  An unseen traitor?  Events moving so rapidly you don’t know what the heck is going on?  The deaths of characters we barely knew and therefore feel little remorse for (Ferguson bitting it sucked the most though).  And watching Hellsing find itself undone so swiftly it makes no sense whatsoever.  It’s as if the writers themselves realized the wall they had hit going into this “original storyline” in lew of the ending material they didn’t have and just decided to write the laziest ending they could just to get it over with.

And do we find out who this illusive traitor who sold out Hellsing is?  Nope, in fact, following the final battle, we merely get a couple of mini text blurbs about how events wrapped up.  There’s no explanation as to how or why Integra was arrested or the fates of Walter and Seras.  No hints at a sequel or continuation are given.  The series just kind of ends with a scene of Alucard offering Integra his blood.  Ugh, this second half of the series had some potential but few can match Fullmetal Alchemist when it comes to veering away from the source material in a way that’s still true to the material itself. 

Speaking of missed opportunities, I’m pretty peeved we never got to see some rapid fire action with Alucard dual gunning his way past a pack of mutant SAS soldiers.  This is the mother of all Vampiric bad asses and it seems like this adaptation held him back on a very tight leesh.  I don’t know if it’s because this was a TV series and thus had to tone down the violence and graphic images heavily.  But if you’re not going to let Alucard have his fun, then Studio Gonzo shouldn’t have tried to make this series in the first place.  Nevermind his final battle with Incognito is as dull as it was building up to be.  No depth was given to the naked, grey demon, and again we don’t know the identity of his “Master” who is probably the Hellsing traitor.  Incognito could have been a prime candidate for the greatest foe Alucard has ever faced…and he just doesn’t do a thing.  Most criminal of all, the brief glimpse of Anderson in the London crowd overlooking the battle at the tower.  I doubt we’d ever see him and Alucard team up.  But after two appearances that made the show highly entertaining, Alexander Anderson only gets a 10 second cameo to remind us he’s still around…frak that noise.

I know I said there was some stuff to enjoy about this finale…maybe I should have rethought that.  I think ive gone on a pretty extensive rant about how poorly handled it was.  I don’t know, was there anything I did like?  Well the English Dub has Integra delivering the cool line, “There’s a Judas in our midst.”  That’s always been a personal favorite line of mine.  Alucard wandering around with his dual guns in action was decent, “REVEL IN THE MASSACARE” (oh if only).  Losing Ferguson was sad and so was Integra’s farewell to him.  Some of the better music made it’s way into the last battle scenes and id kick myself if I didn’t mention Seras’ cute little red outfit.  Man, now I feel like im really trying to dig around for good things about this ending, it is tough.

In a way, I feel the same about the Hellsing Series as a whole.  I really wanted to like this Anime and I like parts of it in some respects.  The voices from the English dub are eternal (especially Alucard, Integra, Seras, Anderson and Jan Valentine).  The soundtrack is perfect (hence why it got featured on my Top 5 Best Anime Series Soundtracks recently.  The character and weapon designs are top notch (I WANT A JACKAL!!!).  And some of the Animation and imagery isn’t bad, it fits the world for sure.  That’s about it though.  Once you get to the half way mark of the series and you get into original territory, everything goes south and never really recovers.  The bloodfest that is Hellsings war against the Nazi Vampire Unit, Millennium, is never touched, never hinted at, never setup to be seen.  Instead we’re left with a weak storyline that was cooked up in five minutes to cover 13 episodes worth of material.  If you ask me, you could have ended it at the Valentine attack and just kept the door propped open for another sequel down the line once the Manga was finished (Berserk did it, though I hear the continuation of the Anime is more miss than hit).  This Hellsing had some horrific images fitting of a horror/action Anime.  But man was it handled with kid gloves.  And Alucard should NEVER be handled with kid gloves.

Final Score is

5/10

Well now that that’s done.  Couple of quick announcements.  First, our next series on the docket is the TV series adaptation of CLAMP’s apocalyptic showdown, X.  The first review will be popping up Next Tuesday, yes Tuesday.  Reason for this being is announcement #2.  Seeing as it’s Halloween next week, I was thinking about what to review that’s a bit more fitting than X (which isn’t really horror).  I made up my mind but I’ll leave it a surprise.  The only hint I’ll give is that it is a double feature but I don’t know if im going to do it as two separate reviews or a combined one.

Anyway, that’s the plan.  See you all next week.

Friday, October 21, 2016

FIF#25-Moribito: Guardian of the Spirit


Balsa is a bodyguard, roaming the land looking for a client who she would give her life to protect.  One day, she saves a child of noble birth from drowning in a river and is brought before his mother.  Balsa is offered a job: Take the Prince, Chagaum, from home and protect him as long as she can.  Turns out, there’s a demon residing within the boy and, because of that, his father wants him dead.  Chagaum may look frail and weak, but Balsa is no ordinary warrior.  As their journey begins, the beautiful bodyguard may finally find the atonement she has long sought for a dark sin.

I had been meaning to get to this one for a while.  Many have been telling me that since im a loving fan of Avatar: The Last Airbender and The Legend of Korra, this show would be right up my alley.  Well I finally gave it a shot and…it’s ok?  I mean, it was good ok but not blow me away ok, some things did hold it back a little.

I didn’t expect this show to be balls to the wall action from the get go.  But Moribito was a little slow in the first three episodes I watched.  It is a bit of a slow burner, well the first two were anyway.  By the time we got to Episode 3, things had picked up considerably once Balsa was able to let loose and show off some of her skills.  Actually, the overall action in Episode 3 was absolutely incredible.  It’s far more fluid and natural than stylish and over the top, especially with a lot of the fight scenes using spear work like in Fate/Stay Night: Unlimited Blade Works with Lancer.  Plus, like I said, Balsa kicked ass.

It’s strange ive watched a few shows now with the leads being tough and capable women.  The comparisons to Avatar and Korra ive heard of definitely fall a lot on Balsa’s character.  She’s a lot like Korra, except older, a bit more confident and with an Amazonian warriors mentality.  There’s a coldness to her, adding to the mystery of her dark past (cause what wandering bodyguard doesn’t have one in any story).  But there’s heart too.  I half expected Balsa to have a hard time moving Chagaum around, being the sickly state child he is.  Nope, she’s patient and kind to him, a far cry from the determined warrior we see when the assassins catch up.  Balsa’s a unique kind of beauty: stunning in her looks but not overly sexy like say Yoko from Gurren Lagann.  Plus she’s got brains, her rescue of Chaguam from the river had MacGuyver levels of ingenuity in its execution.  If anything, im glad I finally gave this show a shot just on her merits alone.

The rest of the first few episodes, I was back and forth on.  The mystery seemed a little generic (a demon trapped inside a child), some of the side characters were a little annoying (the kid who really, REALLY wants to help Balsa and his always in agreement sister).  I felt it dragged a bit but I cant fault an Anime for taking time to explain all the finer details of it’s plot to get things going.  I also discovered this one was written by Kenji Kamiyama, the writer/director of Ghost in the Shell: Stand Alone Complex and Eden of the East.  Even though he’s taking a step back from the techno thriller/mystery stories he’s excelled at, you can tell this is still a thinking man’s Anime like his other works: the action is there, no question, but the story and development come first, never a bad thing (just if it’s paced a bit better).  The series looks pretty good, maybe not as good as SAC but it’s far from bad looking.  Also, love that Kenji Kawaii is onboard for the score.  His famous strings and sounds of an ancient temple music, which you hear in Mamoru Oshii’s Ghost in the Shell movies, fits the world of Moribito perfectly.

I may just have to give this show a little bit more of a watch.  Even if the mystery of Chagaum’s inner water demon doesn’t prove to be anything above the norm, watching Balsa rock every scene she’s in is more than enough to keep me interested a bit longer.  Even injured, the bodyguard can still play a little “Rambo: First Blood” with her foes…and that is worthy of a chuckle or two.  Yep, ill continue with this one a little bit longer.  I may or may not have a little more to say on Moribito soon…but I’ll get to that in a later post.

Wednesday, October 19, 2016

T5W#62-Top 5 Anime Series Soundtracks


Sometimes when watching an Anime, something hits you.  As great as the animation, storyline, action, characters or anything really plot related grabs you (or doesn’t depending on your choice of show), there might be one thing that’s catching your attention more than any of that…the fact that youre humming the theme song or a characters theme.  Yep, Anime Soundtracks are just as popular as the series (or movie) theyre set to and sometimes truly are their most memorable attributes.  And I don’t just mean the opening and ending themes (I did both of those lists a while back) I’m talking about the music you hear throughout the show.  So today, I’m looking at my 5 favorite Anime Soundtracks.  This list will be from SERIES ONLY.  Not sure if ill have a more event focused Top 5 for next week (it is the week before Halloween, I should think of something related), but I’ll do a separate list for movies another time.
 
Side Note: I’ll include some Youtube links with each entry.  But naturally there’s a risk the page they originate from might drop them, so apologies in advance.  Just do another search and you can find a sample pretty easily.

 
#5-Puella Magi Madoka Magica (Yuki Kaijura)
Everytime I heard a song even just start to creep into my ears, I got teary eyed.  And in those tears, I always felt a mix of hope, excitement and sadness, basically everything about Madoka in one little note of music.  Not to mention, it takes a special kind of hand to compose music to fit all of the craziness happening on screen from the fights to the always moving backgrounds when Madoka and allies are battling Witches.  So yes, Yuki Kaijura, who also did the soundtracks for .hack//sign and Fate/Zero, deserves all the praise possible (though in retrospect I could have put .hack in it’s place but I thought .hack was boring save for the soundtrack.  Madoka kicked ass all across the board).  Never before has a musical score left me in so many tears since The Lord of the Rings: The Return of the King.  Madoka may be praised for it’s animation and heartbreaking story, but the music should never be overlooked.

 

#4-Hellsing (Yasushi Ishii)
Ok so, again, thinking about this series might have triggered this list in the first place.  Hellsing is hardly the soundtrack you’d expect to hear in a zombie hunting slaughter fest (that more so goes to Hellsing Ultimate with it’s bombastic choirs and orchestrated numbers).  The smooth mix of piano, light jazz and creepy sound effect combinations fit the tone in an almost scary way.  I can just imagine Alucard walking down a hallway with an ipod in his ear, humming and nodding his head to the random gibberish of tunes as he mows down undead ghouls and other creatures of the night with little effort.  Sure, you’d think of massive church choirs or hard rock gothic beats when dealing with Vampires.  But the Hellsing soundtrack is your ultimate undead hunter mix and should be ready for any Halloween party.


 
#3-Macross Plus (Yoko Kanno)
Macross Plus is the sequel most Anime, nay most scifi should strive to be when it’s created.  It expends the universe a bit, continues to give us strong characters, ups the ante on any and all action elements.  But what I think Plus did the best was the soundtrack.  Music is a core element in any Macross story: it unites cultures across galaxies and even ends wars when used correctly.  Leave it to Yoko Kanno to make you forget the horrific vocals of Lynn Minmei by replacing her with the hauntingly beautiful words and voice of Sharon Apple.  While I love the booming beats of the action pieces, Sharon’s slower, more seductive songs are so hypnotic and inviting it’s kind of scary.  Let’s not forget the awesome orchestrated songs used during the dog fights between Isamu and Gould and that painfully amazing Cello Only rendition of the main theme “Voices.”  There have been other Macross sequels and all have had great scores…but none have ever topped this one.


 
#2-FLCL (The Pillows)

From the very first tune played in the first episode, I knew I was going to be listening to something special throughout this short series that still stands as my favorite Anime of all time.  The J Rock score, done entirely by The Pillows, knows when to be chill and methodical before switching to all out chaotic and insanely fun.  A lot of scores don’t have the same quality that this one does.  Granted not a lot of Anime I have seen have used Rock as their main musical choice.  But here it is a great way to further enhance the experience of Naota’s adventures with the willy Haruko, smashing robots and avoiding shady agents with Giant Eyebrows.

 
#1-Cowboy Bebop (Yoko Kanno)
You, this list could just be all Yoko Kanno.  The woman is so amazing with her musical craft it’s uncanny.  I was only going to do one Kanno produced score (this one actually) but settled for two cause as hard as I tried, I couldn’t leave off Macross Plus.  So if one or two of you are wondering why Ghost in the Shell: Stand Alone Complex isn’t on this list, that’s why.  Honestly, it was close between SAC and Cowboy Bebop, both are almost perfect in quality.  But Bebop is freaking legendary.  The Jazz, the Blues, the mashing of just about every single musical genre on the planet into one series.  This score is just straight pure genius.  And each track fits the mood of the scene perfectly: a sad detectives them for a film noir style flashback; the sound of organs and choirs singing in an opera or the build up to a shootout in a church; the beat of the drums when Spike goes to kick some ass.  Naturally I could talk about the theme song “Tank” but I already said I wouldn’t touch openings or endings.  If you can track down the complete soundtrack, I highly recommend it.  And if, for some reason, youre still on the fence about Cowboy Bebop, just listen to it and I guarantee you will be buying the Blu Ray and not regretting it.

Monday, October 17, 2016

Hellsing Part 3 Episodes 7-9

As Hellsing recovers from the bloody aftermath of the Valentine Brothers assault, a massive manhunt gets underway for the group that hired them.  But Hellsing isn’t the only group looking for answers.  The Vatican is back.  And while Integra attends a meeting with Enrico Maxwell, head of Hellsing Vatican Cousin, Section XIII Iscariot, Alucard gets his long overdue rematch with Alexander Anderson…and both might not walk away this time.  With their world in chaos, Hellsing has no idea that a much greater threat is about to reveal itself: A foe who may be as old and as dangerous as Alucard himself.
 
After last weeks all out bloodbath, I was expecting a bit more retribution from the Hellsing Organization.  But seeing as how they might save the reveal of who was behind the attack for the finale, it makes sense we don’t get right to it.  However, as we head into the second half of the TV Series, things get a little…strange.  When this show aired, the Manga wasn’t even close the being finished yet (it wouldn’t wrap until 2008).  So we get what happens to all shows that catch up with their source material…we get a new story.  Which means the “real” masterminds behind the Valentine Brothers attack will probably not be revealed…and that’s a shame.
 
Instead, we get introduced to the supposed “big bad” of the second half, Incognito.  The prospect of Alucard squaring off with a monster as strong as he is isn’t a bad idea at all.  Hell it’s totally exciting for us as much as it is for him.  We do get a small glimpse of Incognito’s power with his mind warping abilities that left Integra and Walter in a rare, helpless state, Integra more so.  The Hellsing head honcho found herself at the whims of a monster who was having fun with her sensual torture.  The fact that Incognito managed to put Integra in harms way produced an interesting reaction from Alucard.  He was pissed and caught off guard, though not for very long as his smirk was back on his face pretty quick.  It still is nice to see him concerned.  Though if he could sense Victoria was onto something about the minds of the Hellsing team being clouded, why didn’t he break the mind control earlier?  Probably too busy seeking out Incognito but oh well.  It certainly left Integra in bad shape.  Is she done for since she apparently decided to end her own life rather than become a monster?
 
We also got a welcome return from Anderson, his bad ass Irish accent, blades and all.  His rematch with Alucard was about as short as the last one but it gave us some cool moments.  Alucard got to unleash his Jackal, which could very well have killed Anderson as he theorized if given the chance, and Anderson got to cut off Alucard’s head.  The flashback scene was interesting, seeing what looked like a pre Regenerator Anderson taking on some shadowy foe he couldn’t kill.  Will we see any clarification to this?  I hope so.  But with the wind shifting over to Incognito as the new foe, I don’t think Anderson will be much of a factor from this point on.  Which sucks, he’s such a wasted foe for Alucard, the two are excellent together.
 
Lastly, we got some good development for Victoria.  She finally seemed to be embracing her Vampiric role and was given a more take charge attitude, which is fitting seeing as how Hellsing has been recently decimated.  It was great to see her lead the troops into battle and sense that something had happened to Integra and Walter at the mansion when “Not Integra’s Sister” was around.  The side story with her meeting the ancient Vampire, Helena, could have been a bit more interesting.  But in truth, much of Episodes 8 and 9 could have been combined into a single episode and maybe given the way for an extended, two part duel between Alucard and Anderson.  I keep thinking about “wasted opportunity”.  The show is trying and introducing good concepts, given it caught up with the Manga.  But there’s still a ton it could do.  Could they be saving it for the finale?  Well…I guess we’ll see when we get there.  Til then, judgment is reserved.
 
The spooky and action packed finale of Hellsing arrives next week.  See ya then.

Friday, October 14, 2016

Shin Godzilla


On an average day, something emerges from Tokyo Bay…something big.  As Tokyo becomes the target of this monsters rampage, the government scrambles for a solution.  Guns, missiles, nothing can destroy this “God Incarnate”.  With the world seemingly at the mercy of this beast, one lone government official leads a rag tag team of thinkers and experts who will stop at nothing until they have found a way to kill it.  The question is: once it has fallen, how much of Japan will be left in the destructive wake of the monster known as “Godzilla”?


This past summer, the King of the Monsters was reborn once again…in the place that knows how to do him best.  While the 2014 US release of “Godzilla” is far superior to the disaster epic that is the “Godzilla” from 1997, the film is not without it’s flaws…mostly Godzilla is almost non existent and most of the movie was Kick Ass running from Monsters at Point A to Monsters at Point B…oh and horribly wasting the talents of Bryan Cranston (who was basically around to deliver solid dialogue for the trailer).  Even with some solid moments, it didn’t feel like a Godzilla movie.  Well barely two years later, Japan has rebooted their crowned King with a familiar team and a bold, if not a little familiar itself, direction.
 

Let’s start with the direction.  The film is co directed by Hideki Anno and Shinji Higuchi.  Almost 20 years ago, these two worked on a little known, Giant Robot Apocalypse Anime you might’ve heard of…no big deal, it’s just NEON GENESIS EVANGELION!!!  Which means, this movie was tailor made for these two to tackle.  Anno brings a lot of his storyboarding and visual flair to the flick.  So many wide shots of conference rooms, tanks shelling from the riverside and lasers blowing up buildings in spectacular fashion, this may be a Godzilla flick, but it’s also the closest we’re getting to an Evangelion movie besides Pacific Rim.  And you can tell Anno and Higuchi are having a blast.  It is a Godzilla production after all.  Plus they get to make it with a clean slate and free reign too.  Should give a special shoutout to Shiro Sagisu, who did the musical score.  He also collaborated with Anno on Eva and his score is operatic and epic in every way a Godzilla score should be, even bringing back the classic Godzilla theme.  Most importantly, I laughed when I heard one of his Evangelion themes used a couple of times in the build up to a dramatic moment.  A bit on the nose but it was fun nonetheless.
 

Yep, as I stated this is a reboot for the franchise in Japan (it’s 3rd I think).  Rather than give us a monster vs monster slugfest, we are instead treated to a story about Godzilla when he was first introduced to the world.  We’ve still got the “nightmare of atomic weapons” commentary (man do we and it hits hard sometimes…in the right way).  But to see Japan witness the rise of the “God Incarnate” through social media, including the use of “found footage” and shots of twitter pages, as well as POV shots, especially passing right alongside the towering Godzilla (GOD I WISH I SAW THIS IN IMAX!!!) makes this very much a modern day take and a very real experience.
 

And what of the big guy himself?  Well overall he looks like Godzilla should.  He looks more like a tower than ever before and his bellys been trimmed a little bit.  His movements may not look like much in the trailers but seeing him in the finished product, he’s pretty frightening.  His tail looking a bit more…phallic than usual aside, this Godzilla is probably the scariest ive ever seen.  His eyes look beyond crazy, like the stuff of nightmares…especially when we…well how do I put this…you know what, im gonna actually leave the rest of this bit alone cause it was an interesting surprise for sure and I want people who haven’t seen the movie to be amazed (or confused or angered or both) when they see what I don’t wish to describe.  Also, though he does get more screentime than his 2014 counterpart, Godzilla’s moments are few and far between.  But when he is on screen, they make the most of it.  The action scenes were thrilling and when Godzilla got to show off some of his more legendary qualities, man did he get the applause I never expected.  The King of the Monsters got to tear s*** up good.  It’ll fill your heart with emotion at all the destruction…and make you cheer loudly seeing Godzilla do his thing almost uninterrupted (unlike the 2014 flick when we finally got to see him fight and the camera kept trying to pull away like it didn’t want us to see it).  Also, im not sure how much practical effects were used here but the CG and motion cap on Godzilla was pretty stellar.  It felt now but also was well within the spirit of the rubber suited bad asses who came before.


As I also said above, Godzilla isn’t battling a monstrous opponent, Man is his enemy.  Leading the pretty extensive cast (which is thrown at you so quickly I swear I thought there was going to be a test to name at least 10 of the 50+ names thrown on screen) is Yaguchi, who’s more than willing to look at the situation more, let’s say open minded than most of the Japanese government.  In fact, he is the one to theorize that the disruption in Tokyo Bay might be a monster and not an earthquake or volcano.  Yeah, it’s a gratifying moment to see the old hacks STFU when Yaguchi gets proven right.  Besides Yaguchi, his beautiful American/Japanese counterpart Kayoko, and the Prime Minister, it’s hard to remember anyone elses name in the film.  We get tons of tags: “So and so, department of so and so”.  But not too many are really needed and it can kind of confuse the audience.  I did like Yaguchi’s team a lot.  These guys freak out, but not in a “ALL IS LOST” kind of way the PM and his staff do continuously.  They’re optimistic, hard working and desperate to stop Godzilla.  But they work better as an underdog team, using their smarts to outwit him while the government lobs millions of bullets at the big guy with no effect (go figure).  One stand out is a cute biology expert who is glued to her computer more than half the time and speaks in a monotone voice.  She reminded me a lot of Rei Ayanami from Evangelion and Yuki Nagato from Haruhi Suzumiya.  The scene where everyone calls out Yaguchi on his lack of sleep and his bad smelling shirt was great if only because even that girl had to admit in her monotone that they weren’t kidding about the smell.
 

The cast of hundreds aside, there are a couple of nitpicks to be had.  This is THE MOST rapid fire edited feature I have ever seen, especially in the first half.  Shin Godzilla almost played like a feature length trailer, never staying on a single shot for more than a few seconds.  It can be a bit disorienting and hard to keep up with.  Also, some of the lulls between Godzilla carnage can be felt.  The story is interesting, especially when things get dire for the Japanese people in the final act.  But some of the momentum is lost along with keeping up with the ever expanding (and surprisingly diverse) character roster.  It can take a bit to recover but it does…just expect a lot of old folks talking about something they don’t understand and scares them quite a bit for about five minutes before cutting to a random shot of Godzilla stomping across the city.
 

Shin Godzilla is the Godzilla movie the new millennia has been waiting for.  There’s focus on a good cast, a deep message that you understand, and a destructive summer blockbuster on full display and I’m so happy I got to see them all.  Even if you haven’t seen too many Monster movies (I’ve only seen a couple of Godzilla movie actually), or even if you didn’t like the 2014 flick, I still think you’d get a kick out of this movie.  It’s made by people who understand the monster genre, the history of Godzilla and know how to present it all almost perfectly.  As much as I want him to get to work on Evangelion 4.44, I definitely want Anno back at the helm of another Godzilla film in the near future.  Will we see him tackle an old foe down the line?  That remains to be seen but I am more excited for a sequel to this film than the 2014 movie any day.  
 

The King of the Monsters is back…Hail to the King, baby.
 

9/10

Wednesday, October 12, 2016

T5W#61-Top 5 Anime Super Teams

Well, as im sure everyone might know, last weekend during New York Comic Con, the first trailer for the movie reboot of the Power Rangers debuted.  And the response has been surprisingly positive.  In fact, I was a little on the fence about it until I watched it with my sister and when it ended, she smiled and said, “My childhood is happy.”  Ive rewatched it a few times and have liked what ive seen more and more: smart diversity, Kimberly is pretty, all I need to see is Bryan Cranston show up as Zordon and declare, “RANGERS…it’s time to cook.”  Well thinking about this upcoming nostalgia trip made me wonder about my favorite, Ranger like teams in Anime…and then I realized I haven’t really seen many Anime with a Sentai team (theyre not exactly rare, I just haven’t seen em.)  So for this weeks Top 5, I decided to take a look at my favorite Super Teams.  They don’t have to be Sentai, they just have to be a regular rally of allies coming together to fight enemies every week…you know like most Anime.
 

#5-Team Inuyasha
Ok so theyre not Sentai or whatever.  What Team Inuyasha is, however, is a bad ass collection of demon hunters and a very effective crew.  Each has their own special set of skills: Inuyasha-Demon with a big ass sword; Kagome-Preistess reincarnate who’s practically Legolas with a bow; Miroku-Exorcist monk with a black hole in his hand; Sango-Demon slayer descendant with a cute battle look and a giant boomerang; and Shippo…yeah…ummmm…wow sorry even in a Top 5 I cant think of anything positive to say about my least favorite character.  As far as teams go, their series might’ve worn a bit on me, but ive always admired this team for their skill in battle and actual character development off the battlefield.  They were the olden day Rangers of Feudal Japan (seriously will the US ever consider a Power Rangers series set way back when? That’s just missed opportunity right there)

 
#4-Team Urameshi
Once again, not your typical Power Rangers association.  But come on, just look at these guys, they might as well have been sort of Sentai with their separate skills and assortment of colored clothing.  Between Spirit Swords and regular swords, whips and Spirit Guns, this quartet of demons and social misfits is pretty effective at dealing with demons.  I never finished Yu Yu Hakusho, think I got through Season 2 but im not sure.  But Yusuke Yurameshi, Kazundo Kuwabara, Kurama and Hiei didn’t need fancy transformations to activate powers and get the job done…though they still stayed color coordinated…hey whatever works, theyre awesome nonetheless.
 

#3-Ronin Warriors
Oh yeah, these are the true Ranger Samurai.  Five young men with the ability to summon mystical Samurai Armor to do battle against the evil Dynasty and the menacing Lord Talpa…yeah this is about as Power Rangers a plot as an Anime can get.  Ryo, Rowen, Sage, Cye and Kento even had their own Zordon type mentor in “the Wise Man” (though Talpa being a floating hologram head for much of the series made him more Zordon than anything).  These guys basically made a kid friendly Ninja Scroll with a Power Rangers type premise.  Ryo even got his own special edition White Armor for ultimate battles…kind of like how a certain Green Ranger eventually got promoted to the even more bad ass White Ranger status. 

 
#2-Sailor Senshi
Color specific Sailor Uniforms (with criminally short skirts), check.  Special abilities granted by the power of the solar system, check.  Monsters of the week sent by a Rita Repulsa type…only more confident and scary, double check.  If Might Morphin Power Rangers seemed like a boys game (even with it’s female leads becoming every kids first crush, oh Kim), Sailor Moon was almost exclusively a girls gateway into getting into this kind of genre.  They might not have had a giant monster or mecha to battle.  But if any creature showed up to threaten their city, Usagi, Rei, Ami, Makoto and Minako would be there.  And a lot like later Power Ranger series, the Inner Senshi would be joined by the outer Senshi (Haruka, Michuru, Setsuna and Hotaru), doubling their numbers to combat even deadlier threats…and look damn good in the process.

 
#1-Voltron Force

“From days of long ago.  From the uncharted regions of the universe, comes a legend.  The Legend of Voltron: Defender of the Universe.  Loved by good.  Feared by evil.  This is the story of the super force of space explorers, specially trained and sent by the Alliance to bring back…VOLTRON: DEFENDER OF THE UNIVERSE!!!” 
 
Growing up, these guys in retrospect are the closest to Power Rangers next to the Sailor Senshi.  Custom color battle armor, some martial arts training, and, most importantly, five giant robot lions that united to form one bad ass mecha that theyd use to fight other giant monsters (Robeasts).  The spirit of this series and this team continues to roll strong even in the latest adaptation: Voltron-Legendary Defender.  To be honest, I almost totally overlooked this team until my sister gave me a deadpan stare and told me, “Uh, Voltron anyone?”  It always is a blessing when your siblings are into Anime as well and can help you remember stuff you might’ve missed.  Thanks Sis.